Friday, March 27, 2009

Wizard Magazine and the art of job destruction etiquette


Hats off this month to the wonderful people who head up Wizard in the U.S.

Let's cull a magazine (in this case Anime Insider) yesterday, and sack everyone without warning. Well, sack the editorial staff in New York, anyway. For those of us writers outside the center of the universe, we're just forgotten.

Nice one, mates.

I found out the news an hour ago from a vital anime company here in Tokyo, who in turn found out the news via an anime online chat forum—despite the fact I've been the magazine's Tokyo Correspondent for 5 years.

I now have to swallow the remains of my shredded-up pride and apologize to several dozen other anime companies in Japan for promises that'll never now be honoured, and a series of articles and interviews that will never be printed. Oh yeah, and there's a big chance I'll never be paid for these finished articles, nor reimbursed for the translation work on one of them.

Prove me wrong here, Wizard.

And when are you actually going to let me know I'm out of a job, mates? Pink slips too expensive in your new budget? Never wised-up to e-mail technology?

Nice, professional work, and kudos all round. Thanks for offering your own bit of unthinking Scrooge-ism in this crazy financial period.

R.I.P. Anime Insider magazine—and genuine respect to all those who put in, worked on it, loved the mag, bought it, and made it something 67 issues special...

Tuesday, March 24, 2009

Tokyo International Anime Fair 2009




Being lazy at the moment, so here're some pics (minus meaningful text) from the TAF2009 jaunt @ Tokyo Big Sight last week... click on each one for bigger image.

Monday, March 16, 2009

Paul Birken


"I woke in the middle of the night with water dripping on my cheek, and running down past my right ear. The pillow was becoming soaked and I realized the window had broken from a tree branch that snapped in the wind.

"Water was flying into the house in a single stream, which was odd. When I grabbed a towel from the closet to dry myself off, I went to the garage to get some plastic and tape to temporarily fix the window and keep out the water, but heard a noise down in the studio that sounded odd. One of the drum machines had a single stream of water dripping into it, and was it hiccupping a chugging, slow pattern.

"I quickly hit 'record' to capture it and turn things off so I wouldn't get electrocuted. When I pressed 'stop', all the gear and my house dissolved into grey pixels and I fell to the ground and sat there in a muddy puddle with a small toy robot walking in front of me. It was muttering some fragments of a vocoded message. That was all I remember from the vision."

READ MORE HERE

Friday, March 6, 2009

New, cheapskate IF? website*


*well, it's free! Go figure.

Anyway, our cantankerous teenage record label, IF?, now has a new online home to match up with the new logo and new artists involved from Japan, Melbourne, and elsewhere.
We're hitting out shortly with new stuff by Alone Together, Little Nobody, Koda, Bitch Shift, Son Of Zev, ABiS, Aneb, Alkan, and others.

Click here if you can really be bothered checking it out. There are other, more grandiose things happening online and out there in the real world.
The new logo, by the by, was hacked together by our exceptionally talented mate, Ant Orange, over at the Dead Channel collective. He's also an extremely hot muso. Love the guy!

Sunday, March 1, 2009

Another Sky Press


Amongst its self-confessed missions, Another Sky Press (based in Portland, Oregon, in the U.S.) hopes to subvert the traditional publishing paradigm and do it their own way, put the artist and audience in direct connection with each other, hence removing the (expensive) middlemen, they want to spread culture for the good of all—not control it for profit—and they'd like to dismantle the world and reassemble it in a more aesthetically pleasing manner.

Grand plans indeed, and these worthy people have released a wad of stunning coffee table art books with images by Jesse Reno and others, plus some equally cool novels by the likes of Kristopher Young (Click) that you can read online for free, or purchase at cost. It's up to you if you deem the writer worthy of bonus extra patronage.

I love these people, and I'm one of the lucky ones: I currently have my first novel (Tobacco-Stained Mountain Goat, the one Scott C. did the cover for—see the previous entry below) in the sub-editing phase with them, and it should be out sometime this year.

Regardless, I'd adore what the posse is on about; their mentality is precisely my cup of tea.

There's a way cool new online interview with Kristopher Young, who runs Another Sky with his partner, Christine Barnum, with help from a wide variety of like-minded others.

It's an extensive beast of a chat, full of insights into a crew we should all be in there rooting for and supporting. Go forth, grab a big cup of coffee, and brush up on your leftfield-publishing-with-a-superlative-punk-ethic kind of thing.

Saturday, February 21, 2009

Scott C. on arty stuff


"That's the exact book I have!" Scott Campbell enthused from over in New York. "Jon Klassen turned me onto them. And [Charlie] Harper."

I was in the midst of interviewing this seriously talented guy for a feature on his own art over at Fun in the Murky, and somehow the spotlight drifted and fell onto Alice and Martin Provensen's insanely adroit illustrations for an old book called Myths and Legends.

I think I was equally excited—Campbell is the only other person I've met who's known about this book, let alone the Provensens; their work here absolutely did my head in when I was a kid, and all my primary school Greek warriors and vikings ended up looking like pale imitations of theirs.

These days the ones I draw with my daughter Cocoa are looking marginally like Scott's.

You can check out some of the Provensens' much-vaunted tome here. And click here to head over to the interview I just did with Scott. Alternatively, hit his own website.


"Jon Klassen is my big inspirational dude right now," Scott adds as an addendum, referring me to the man's "water thing" that he did, right
here.

Tuesday, February 17, 2009

Eat Tatoo Dead Tiger


Back in university, when I wasn't slaving over dusty history tomes at the Baillieu Library or down at the pub downing VBs with mates, I had a soft spot for industrial music—no, not the pretender for the genre from the 1980s and early '90s, pushed by bands like KMFDM and LeƦther Strip, but the 1970s British movement of aural bowel movements, pushed through on spliced and bandaided tape-loops by Cabaret Voltaire and Throbbing Gristle, and later by Australian acts SPK and Orchestra of Skin and Bone.

So, obviously I'd also been an admirer of like-minded U.S. label Auricular Records for quite a sizeable chunk of their 20 year history, and more recently I got a reminder about them from my mate mAth Lewis, a.k.a. Noisepsalm, who released through Auricular in 2008.

Late last year, I got in touch with Alan Herrick, one of the founding people behind the imprint and also a member of Nux Vomica, and found an incredibly approachable and open-minded guy who was suddenly encouraging me to send through tracks.

I bundled together 19 tracks of some of the more expera/noizy/silly cut-up stuff I've rattled together under almost 20 different aliases, some of which were cut in 2008; others way back in 1998. Alan liked what he heard, and hey presto! ...we have the collection out on CD and digital download through Auricular as of Friday, 13th February.

Eat Tatoo Dead Tiger is the moniker I gave to the 19-tracker, and this isn't a case of misspelling, honestly—it's named after my favourite t-shirt, a sublimely bizarre tee I bought a few years back in a discount store in Kamata, in downtown Tokyo. That tee is also the cover art.

The music on this release is definitely not my Little Nobody style (as all over the place as that can get), but steers more back towards those aforementioned grand masters of industrial iconoclasm, mixed in equal bits with reverential nods towards (and rather desperate attempts to be like) Si Begg, Speedy J, Cassetteboy, Basic Channel and Tal—along with allusions to unrelated heroes of mine like George Sanders and Orson Welles, and old '50s sci-fi flicks.

Whether or not it gets anywhere near these far more talented people is open to conjecture. I'm also open to assignations of crap schlock, if that better captures the over all result here.

Thursday, February 5, 2009

IF? Records now online @ Input-Output Inc.


We've bitten the digital bullet once again, and decided to expand the online minor-league evil empire... by one.

From January 2009, all upcoming IF? Records release will be available through the wunderbar types at Input-Output Inc., along with a percentage of our existing back-catalogue and ongoing releases through Addictech; also, look out for exclusives through both. And IF? will also continue to collaborate with Hypnotic Room back in Oz.

Upcoming?

Releases including stuff by Little Nobody, Alone Together, Bitch Shift, Enclave, Son Of Zev, Koda, E383, Biochip C, Paul Birken, Patrick Pulsinger, Jammin' Unit, Gene Farris, Funk Gadget, Kana Masaki, Veronica du Lac, Bill Youngman, Pat Stormont, Zen Paradox, ABiS, Tunng, DJ Hi-Shock, Eri Makino, and others.

We're not going to be available through Beatport.

You can also find out more about the benefits and schlock horrors of the digital download phenomenon at Fun in the Murky, with comments from Dave Tarrida, Si Begg, Shin Nishimura and Cem Oral (Jammin' Unit).

Wednesday, January 7, 2009

Fun in the Murky


Bloody brilliant.

One of my own favourite blogs/sites for a long, long time is Trevor Wilkes’ Fun in the Murky forum, which dabbles mostly with more cutting edge tangents of electronic music, so-called wonky techno (tho’ that phrase is getting a wee bit long in the tooth!), and free download sets from very cool people via Bleep Radio. Trev also gets to wax enlightened about some inspiring and essential musical directions.

So, I’m hugely chuffed to be about to contribute to this site also, from January 2009—the guy seems to be under the impression that I can string together a few sentences that (a) make sense, and (b) people might actually want to spend time reading.

Lordy, I’m not one to shatter such wonderfully open-minded delusions.

Because I’m so bloody unoriginal, that section on the site will also be called (surprise!) Iffy Bizness. Stay tuned—I, for one, am actually all excited. Believe it or not. 2009 looks like being a "gee whiz" year after all!

Friday, December 26, 2008

The Dead Lego Project


The Dead Channel posse is a net-label based in the north of England (in Leeds, actually) which aims to serve as a vehicle for the transmission of electronic music that has little, or no, other outlet. They feel that lots of amazing music is never heard due to lack of such an appropriate outlet, and aim to provide one for as much quality electronic based music as they can.
Their releases can be downloaded for free in high quality MP3 format, and include full-colour artwork, as well as embedded art for MP3 players. The site is updated with new releases on a regular basis, and news can be found on their dead-channel blog.

Just a few days ago, Dead Channel released the sizzling Lego Project compilation, and they’ve released an array of other cool music over the past 12 months, all of it FREE.



Iffy Bizness forced a confession of sorts out of these people just before Christmas, and this is what they had to say:

How was the label set up, what was the underlying purpose, and does this initial inkling continue to be your modus operandi?

"Well, the label was set up by me (Chris Kubex) and my housemate, Ant (Orange). We’re both part of an electronic music collective here in Leeds, England, called Gonzo. Dead Channel was initially developed as a platform that Gonzo artists could use to share their music, and gain exposure from it. But the quality of unreleased music we began to be exposed to, not just within Gonzo, but from all over the world as people sent us demos, meant we ended up releasing stuff by artists from America, Greece and Japan, as well as from Leeds and the UK.

"The internet is the new frontier in terms of where people go to find new music. We’re happy continuing down the path of offering high quality, free electronic music releases, as it’s proved to be the most successful way we’ve found to get the music out there and get our artists noticed."

What are the perimeters of the label - if any?

"I guess, in musical terms, we tend to favour the outside edges of mainstream electronic music; not veering far enough into the experimental to seem pretentious, not veering far enough into the mainstream to be considered ordinary or boring. At least that’s what we try and do, but on an unconscious level. We get given or sent a lot of music, and we just release the music that strikes us as interesting.

"As far as design goes, the perimeters are slightly more rigid. We set out with a resolution to make the quality of the releases high, even though we were offering them for free. So all come with full-colour CD artwork (if you choose to burn your own) and embedded art for iPods and media players. The design aspect plays a big part in Dead Channel and indeed Gonzo, and we do tend to favour darker, more tech-orientated imagery. It also seems to suit a lot of our musical output. We do try and make sure however, that we don’t appear to be overly serious... that’s what releases like One for the Ladies are all about."

What actually is Dead Channel music?

"Well, I wouldn’t say that there is a Dead Channel ‘sound’ per se, but like I said above, we seem to sit on the outside edge of mainstream electronic music, between the experimental and the dance floor, veering occasionally like a drunken person... or something.

How would you assess the label’s progress in 2008?

"It’s been really good; we’ve definitely been surprised by the how Dead Channel has grown in its short life. The response from people has been really positive, and we’ve had help to spread the word of Dead Channel on an international level from artists such as Little Nobody, Dimomib, and Noisepsalm.

"We’ve also been happy to bring our local artists to a wider audience. People like Micoland, Prod, Sofaboy... I have to stop here because the list would get too long; we’ve been aware of the talent base here in Leeds for some time, now we’re just happy to share it with a wider audience."

Which artists do you work with, and how did you get involved with one another?

"Well the Gonzo collective all have different backgrounds and come from all over. Mostly, people met while at university, or after moving to Leeds from various other cities. The area of Leeds we all live in is quite bohemian, and conducive to spending life being creative, making music, putting on parties and getting by how we can. We all share this ethos, so naturally gravitated towards one another, finding a shared love of electronic music, art, drugs and debauchery.

"The main core of Leeds-based Gonzo artists connected with Dead Channel include myself (Kubex), Ant (Orange), Gwylo, Micoland and Naffdogg, but me and Ant take care of the general running of the label. We’ve also got artists from far and wide, such as: Dimomib (Greece), Noisepsalm (USA), Little Nobody (Japan) and Caulfield (London) to name a few."

What plans do you have for 2009?

We have some exiting releases that we’re planning on putting out in the early part of next year, including a new EP from Leeds legend—and former Rephlex artist—Headcleaner, a new album from Gonzo lynchpin, Gwylo, and new releases from some of our other established artists. We’ve also got some new compilations we’ll be working on, as well as introducing some brand new names over the coming months.

"We also have a new monthly Gonzo party happening in one of the most exiting clubs in Leeds from January, and there has been talk of possibly hosting a Dead Channel event sometime next year, bringing together the extended DC family. We have some exiting events planned for summer too... buts let’s not get ahead of ourselves.

"(Semi) regular updates on Dead Channel and Gonzo can be found by joining our Facebook group, or by visiting our blog."

Any special messages for all the kids reading this at home?

"Er... download our music? It’s cheaper than booze and fags. Hope this is OK; got a bit stuck on this last question!"