Showing posts with label blossom. Show all posts
Showing posts with label blossom. Show all posts

Sunday, January 2, 2011

Suite PreCure♪


Well it's 2011 and I have no new moxies to report. Besides, you're s'posed to keep these things private, aren't you, like birthday wishes?

But perhaps a steady eye on the future with a smattering of realism might be fun.

I'll admit it - often I'm a bit slow on the uptake, but in this particular case I think it may've been an unconsciously imposed disposition. I've known all along that Japanese animation production house Toei reinvent their Pretty Cure anime series every year, and that they'd done so seven times already since 2004.

But me and my five-year-old daughter Cocoa had grown so attached to the current incarnation, HeartCatch PreCure! over the past 40-odd episodes, and it's been so wildly popular here in Japan, that I fooled myself into believing Toei would change the rules this time round and continue the storyline romps of Blossom, Marine, Sunshine, Moonlight, et al.

You might recall that this was, in fact, my choice of anime series of the year for 2010 - something difficult to swallow since it's a shojo girl's show aimed at little kids. Here's an action shot of all-pink Blossom, however, for posterity:


But now, regardless, we've stumbled across the truth: as per usual, Toei will sink the current series and introduce a new one from next month, actually from February 6th.




It's called Suite PreCure♪, or Suīto PuriKyua♪ (スイート プリキュア♪) in Japanese.

Given that this duo, Cure Rhythm and Cure Melody, have powers that revolve around music, you'd think I'd be the first to be won over - but when Cocoa and I first saw their character designs last night and my wife Yoko (less a fan of the whole Pretty Cure thing) asked us what we thought, my daughter and I both let out a cynical "Hmmm..." at the same time.

Quite possibly this will change; the wavering optimist in me hopes so. Cocoa's already today saying how cute Rhythm and Melody's costumes are.

In the meantime we have just four more episodes of HeartCatch PreCure! to say sayonara.

Check out this clip from an episode a couple of weeks back when Blossom's grandma briefly became the all-powerful Cure Flower. Grand stuff indeed!



In the meantime - happy new year!


© ABC・東映アニメーション

Saturday, October 16, 2010

Cure Moonlight!


2010 been an absolutely dire year for televised anime over here in Japan, with most of the more innovative studios (Madhouse, Production I.G, Gonzo, Studio 4°C) seemingly in hibernation over the past twelve months – or at the very least keeping their claws sheathed.

While Madhouse did pull off something nifty in the Redline feature movie directed by Takeshi Koike, and Keiichi Hara’s anime movie Colorful has been one of the cinematic highlights this year, the medium was lacklustre on the tellies.

It’s quite clear that the Japanese anime scene is going through a rough patch right now, very much like that which has crippled the newspaper/magazine and music industries, which may (or may not) have a bit to do with either the Internet or the global financial downturn or both; I’ll leave that appraisal to better qualified people.

There is a bright note here, however.

One series that's kept me amused and even a little infatuated over the past six months or so has been HeartCatch PreCure!, the infectious, disarming kids’ series you might've spotted elsewhere in this rambling blog.


The yarn started up with our shy, upright schoolgirl heroine Tsubomi (Cure Blossom), swathed in pink, who was joined by trusty neighbour and fashion-minded sidekick Erika (the all-blue Cure Marine). Five months into the series, the third heroine emerged with the gold-hued, androgynous Itsuki (Cure Sunshine) – who dresses in boys clothes but shines in her girly PreCure persona.

More recently, over the past few weeks, a reticent, quietly cantankerous and quite possibly bitter senior high school student, Yuri, was revealed to be the purple-shrouded Cure Moonlight - the predecessor of our other three champions who lost her powers in a big battle with Dark Pretty Cure (that's a long story for another blog entry - or not) and two weeks ago had those powers and her attire restored.

I'd like to pretend to have some dignity, but stuff that - bring on tomorrow morning's episode...

Oh, and my excuse is that I watch it to spend time with my four-year-old daughter Cocoa, who also loves the series. Which one of us digs it the most is up for debate.

For a bit of a sneak preview, here you get to see Cure Moonlight reclaim her identity a couple of weeks back (zounds!):




HEARTCATCH PRECURE!
© ABC All Rights Reserved

Sunday, July 18, 2010

HeartCatch PreCure!


OK, I'll admit it - I'm hooked watching this anime series every Sunday morning from 8:30, and not only because it's my 4-year-old daughter's preferred eye candy.

HeartCatch PreCure! (ハートキャッチプリキュア!) is an infectious, disarming and super cute series that lacks the annoyance value of, say, Pokémon.

Having kicked off on TV Asahi (Channel 10) in Tokyo back in February this year, HeartCatch is the seventh version of the long-running girls' concept created by the 'mysterious' Izumi Todo - actually none other than an alias for the creative types at Toei Animation - and to my mind its definitely the best interpretation to date.


It all started up with our shy, upright heroine Tsubomi (Cure Blossom), swathed in pink, then she was joined by trusty neighbour and fashion-minded sidekick Erika (the all-blue Cure Marine). Today, five months into the series, the third heroine emerged with the gold enshrouded, androgynous Itsuki (Cure Sunshine).


For a young girls' romp, there's a surprising sense of patience in the development of the story-telling arc, there're surreal kaiju-style monsters every week, the villains ham it up, our heroes have a sense of humour, and the character designs are way cool.

While it's obviously aimed at the purchasing powers of the parents of the target demographic, there's something for everyone - even the more critical expat foreigners and their open-minded kids.

Here're the closing credits - the CG animation really doesn't do the show itself justice, but the infectious theme song by Mayu Kudou is being heard right now everywhere over here from kindergartens to keitai ring-tones.



© ABC・東映アニメーション

Monday, April 19, 2010

Gumyo-ji Temple Sakura Beer


Thanks to Yokohama's oldest surviving place of worship, Gumyo-ji Temple (みょうじ) - which was apparently built a millennium ago - comes one of those joys you stumble across anew even after almost a decade in Japan.

In this case that joy is something that combines two of my favourite interests: beer and sakura (cherry blossoms).

Sakura Beer is a specialty of Gumyo-ji, one I had no idea about until today when my student Toshie - a Yokohama native - presented me with a bottle of the stuff wrapped in Disney character face-cloths (Pluto and Donald, luckily, rather than Mickey).

According to the label, it was brewed using yeast sourced from cherry blossoms grown in the temple's own grounds, and the bottle needs to be gently rolled rather than shaken prior to opening - which I figure is the case with most beers anyway; common sense is international after all.


While this brew is the day's undoubted treasure, the temple itself is also a treat.

It was established by the Shingon sect (supposedly by a priest named Gyoki) somewhere between the 8th century and the 11th and is dedicated to the Goddess of Mercy, the Eleven-Headed Kannon... a fairly formidable 1.8-meter tall carving that also dates back to around 1,000 years.

Now for that beer.

Friday, April 9, 2010

Flower Power 花見-style!


Every spring in Japan, the hanami (花見) – literally “flower viewing” – is a cultural necessity, and it just so happens to be a (sake) barrel of fun as well for those able to get time off work and indulge in some good spirit(s).

While this year's version hasn't really been anything to write about, at least in Tokyo (the weather's been all over the place), usually in March or April - depending upon when precisely the nation’s fabulous cherry blossoms (sakura 桜) decide to unfurl - millions of people unfurl their own blankets in crammed public spaces... ostensibly there to watch the delicate, snow-like shower of flowers, but also to catch up with friends, impress the boss, drink vast quantities of sake, carouse, get drunk, sing, and be raucous in exceptionally unJapanese ways.

These parties often stretch from daytime into the night (when the name is changed to yozakura), and lanterns hung up to drink by and warble prolific.

Needless to say I love it, but regardless set out to uncover just why the custom is so darned popular in the hearts and minds of young Japanese creative types some 1,300 years after it’s said to have kick-started during the Nara Period.


NAOYOSHI SHIOTANI
(Director of Tokyo Marble Chocolate, character designer and unit director on Oblivion Island, as well as key animator on Mamoru Oshii's Sky Crawlers and an in-between animator on Hayao Miyazaki's Spirited Away):
“We Japanese enjoy the different feelings and peculiarities of each and every season.
In spring, we have fun under full-blossomed cherry trees, eating and drinking and romping around with our friends. And the sake you drink, surrounded by pink cherry petals dancing in the air, is somehow tastier than usual. In Japanese, we have even coined the word, hanamizake – which refers to the sake you sip under the cherry trees. Then, of course, you need to be careful not to quaff too much booze...”


TATSUYA OE
(Highly-regarded DJ-around-Tokyo who also makes music under aliases like Captain Funk and OE):

“I'm not specialist about hanami, but I think it’s interesting and so symbolic, and a typical way for Japanese to behave – it’s like a small initiation into Japanese society, especially for people just starting out in companies.
“There are much more important (hidden) elements than seeing (mi) the blossoms (hana) themselves.
“There are also some vital things for any hanami party organizer to consider: (a) deciding who to invite; (b) adjusting schedules of participants; (c) claiming a decent space to actually see the blossoms; (d) preparing sheets, drinks, blankets, karaoke machines, and so on – while ensuring that the boss’s favorite songs are loaded into the karaoke machine; (e) getting everyone together; (f) making sure people who drink too much don’t get into fights, go hunting, or generally kill themselves.
“After that there’s the big clean-up, an assurance to the boss that you’re one very smart and reliable person, and follow-up calls and emails (Otsukare samadesita!).
“Perhaps a good hanami organizer should become a good worker in Japanese society – though it must seem weird to people coming from overseas…
“So, needless to say, I’m not talented enough to organize hanami parties!”


KOU MATSUO
(Director of the Gonzo anime Red Garden):
“My understanding is that hanami is an event that marks a new start for everyone – a new school year, newcomers joining companies, and so on. A lot of people use hanami as a sort of bonding ceremony to welcome freshmen, by making it a big drinking party. I guess that’s because there are many people who cannot bring themselves to open up to others, unless they are spoon-fed the opportunities.
“Personally, I try to take advantage of seasonal events – not only hanami, but other annual events too – as they can provide a punctuation mark to daily life. At the same time, however, I try not to be dependent on them.
“One thing is for sure, though... there’s nothing like sipping sake under cherry blossoms, no matter how cold the weather is. Honestly!”


ASAE ONISHI
(Actress in 1 Liter of Tears, Beauty):


“Seeing the cherry blossoms, which mark the beginning of spring, makes me happy.
Sake, food, family, friends… It’s good to get to know each other through the hanami party. When I go to hanami, I feel as if... I wish I could stop time.”


HIROYUKI MORITA
(Director of the anime series Bokurano as well as the Studio Ghibli feature The Cat Returns):
“Cherry trees shed their leaves during the winter, and bloom in springtime, before early summer comes and the leaves begin to sprout anew. Trees that bloom amidst leaves aren’t that uncommon, but in the case of cherry trees, the blossoms dominate the whole leafless tree.
“The sight of a cherry tree in full bloom is such a unique spectacle, and just sitting underneath it makes you feel like you’ve wondered into some ethereal world. It makes you want to spend that special time with your loved ones. I think that the hanami season provokes that kind of sentiment in all Japanese people.”


NAOTO YAMAZAKI
(DJ/musician better known in Japan as Naotoxin):
“Hanami makes me happy, because spring is my favorite season. We get to enjoy good food and sake and, of course, watch the cherry blossoms. Then I really begin to realize that I’m glad to have been born in Japan. Hanami gives us a great chance to think about how beautiful spring is!”


FUMINORI KIZAKI
(The director of anime outings Afro Samurai and Basilisk):
The hanami season coincides with the end and beginning of the school year in Japan, meaning that it is the time of year that graduation and entrance ceremonies are held, or when many people, including new graduates, start new jobs. So, it is the season of parting with old friends, and also meeting new ones.
“Enjoying the beautiful blossoms and the shower of their petals while drinking sake is an activity that makes you realize the Japanese sense of aestheticism, but it is also a very emotional season too, and the beautiful cherry blossoms can have a therapeutic effect in those cases. But since I am not a party-goer, I personally do not enjoy rowdy hanami parties that much...
“There was a rocket-powered kamikaze aircraft, or a manned cruise missile, named ‘Ohka’ (meaning cherry blossom) that was employed by Japan during WWII, and so the ephemeral image of cherry blossoms that begin to shed their petals as soon as they come to full bloom sometimes reminds me of the young souls that died in battle.
Although I’ve never really thought of it this way, I think the cherry blossom season is a very important time of the year for the Japanese people that has been imprinted in our hearts since our childhood.”



TAKA KATO

(Animator responsible for the iconic Honeinu-kun):
“Well, I think the most important thing is not sake, nor food, and not even the cherry blossoms themselves!
“The most important thing is friends. We plan hanami parties to meet together and talk in a completely unusual situation, in the evening, outside! It’s kind of exciting.
“Oh, and the second most important thing for hanami is a coat – you know, an early April night outside can be very cold!”


TOSHIYUKI YASUDA
(Musician, DJ, Megadolly label boss, former member of Fantastic Plastic Machine - and the man behind Robo*Brazileira):
“Hanami is a good excuse to drink with new and old friends. The immediacy and intransient nature of the cherry blossoms also make people think about relationships and ourselves...
“Especially in my case, as it’s my birthday around the same time!”


MANABU ONO

(Director of the anime series Dragonaut)
“We often go for a hanami party with the members of our studio. I always hope to go for a hanami again with the staff of the shows!”

Let's hope he enjoyed this year's comparatively lackluster season - which still was fun despite the travails of global warping.