Total eclipse of the something or other

The eclipse this morning, Tokyo 東京, circa 7:35 am... It was a very nifty experience, albeit a wee bit clouded up there. I'd actually "seen" a total eclipse once before, back in Australia when I was about 10 years old. This was more fun, since my 6-year-old Cocoa was so darned excited.


Here are me and Cocoa with our eclipse specs, looking like the audience at a 1950s 3D monster romp.

Cocoa's ones (the gold space-age pair) were absolutely brilliant. My disposable things weren't too bad...

East Dragon, West Dragon

When I was a wee tacker growing up in Melbourne, my dad picked up this second hand tome called Myths and Legends, published by Paul Hamlyn way back in 1959.

The illustrators were the insanely cool Alice and Martin Provensen, and it turns out that Martin was also the originator of the first Tony the Tiger character for Kellogg’s - an iconographic '50s feline that decorates my fave coffee mug these days.

About five years ago, I started writing for an American magazine called Geek Monthly and, a few issues in, they showcased a relatively new artist/illustrator named Scott Campbell, alias Scott C.

To me, his images were akin to the Provensens, channelled via Blackadder writers Richard Curtis and Ben Elton, and then stretched to the point of surreal hilarity by Dr. Seuss.

I was busy hacking together a novel at the time (Tobacco-Stained Mountain Goat) and my publishers at Another Sky Press asked if I'd decided yet who I'd like to get to do the cover artwork.

That was now a cinch - all I had to do was track down and ask Campbell if he'd be interested. After some crap detective work, I did so, and he agreed in an instant, very few questions asked, and turned out a way cool couple of goats.

I always wanted to interview Scott in order to find out the buried treasure beneath his easy-going artist facade - and I finally did so this last month, on the back of his fantastic new children's tome East Dragon, West Dragon, which my six-year-old daughter Cocoa loves as much as me, by the way.

So, you can read the interview over @ FORCES OF GEEK.

The Rabbit Hole

Wunderbar early feedback to the upcoming novel, from the great, super-cool reviewer Elizabeth A. White (ta, mate!!):

"When Andrez Bergen burst onto the scene in 2011 with Tobacco-Stained Mountain Goat, one of the most wonderfully creative and unique books I’ve had the pleasure to read, I wondered how he could ever possibly top it. 

"Well hold on, ladies and gentlemen, because with One Hundred Years of Vicissitude Bergen is once again taking readers on a wildly enchanting journey down the rabbit hole to an ethereal world rich with Japanese and pop culture, one which seamlessly melds history and the hereafter. Prepare to have your mind opened… then blown."


Check out Elizabeth's site here - well worth bookmarking for her taste in literature (and I'm not talking up mine!):
http://www.elizabethawhite.com/tag/one-hundred-years-of-vicissitude/

Eight Isn't Enough

Last weekend — after nearly driving myself to madness — I finished off my second novel (as I crowed about in undignified fashion below!) and on Tuesday, signed it to a new, rather cool publisher called Perfect Edge Books.

Yep, it goes without saying that I’m still over-the-moon at the present time, if somewhat exhausted, and to celebrate I quaffed a little saké.

Just a smidgeon, I promise.

Which brings me in a celebratory mood to this month’s Flash in Japan over @ Forces of Geek, and thereby to one of my favourite Japanese myths - which also revolves around saké, as all the good ones do.

I actually did the research on this subject a few years back, for an article on nihonshu (saké) in the pages of the late, lamented magazine Geek Monthly.

That was how I stumbled upon the tale of a monster with a taste for the hard stuff, especially rice wine.

In my new novel, One Hundred Years of Vicissitude, I decided to nick some bits of my old research and stick them into the story, albeit padded out with dialogue, and (hopefully) a bit more fun.

The monster myth was one of them.

So, let’s jump straight into the unedited, raw manuscript I just finished - there might be a typo or two at this stage.

Just click HERE to go to Forces Of Geek.

One Hundred Years of Vicissitude

OK, I'm relatively over the moon, and a few kilometres beyond that. Last Sunday morning, at 7:09am precisely (I'm going by the time-tag on the email I sent), I finished off my second novel.

It's titled One Hundred Years of Vicissitude, and this time the focus is... JAPAN.

Strange, that, since I've lived here eleven years.

Here's the current promo-teaser we're using:

Narrated by a man we suspect to be dead, One Hundred Years of Vicissitude tells the story of identical twin geisha born on the first day of the Great Depression - and one of whom harbours an Iago complex toward the other. Thrown into the resulting concoction are zeppelins, A-bombs, 1940s Tokyo, 1970s Melbourne, King Arthur, Red Riding Hood, saké, and comic books.

I'll mention more here as things unravel, but in the meantime I'm heavily smitten with Damian Stephens' mock-up artwork - see picture.

Tokyo International Anime Fair 2012

Well, it's been one week to the day since I popped in to this year's Tokyo International Anime Fair (東京国際アニメフェア), held as always at Tokyo Big Sight.

When I say always, however, I lie. The event was called off last year (for the first time in a decade), since it was scheduled a couple of weeks after the big Tōhoku earthquake.

It's nice to see it back.

We call this "TAF" for short; for reasons as-yet-unknown, the organizers drop the “I” bit, maybe because it just looks better in terms of logo concepts.

Think displays by anime producers like Production I.G, Gonzo, Madhouse, Toei, Studio Ghibli, Aniplex, Sunrise, Bones and Bandai flaunting their upcoming wares, and not just via the scantily clad pseudo-cosplay girls outside their booths.

Here's my overview of the last serving, back in 2010. You might even find I nicked some of the editorial there for this piece, since time is previous right now - I'm in the middle of finishing off my next novel, One Hundred Years of Vicissitude, and in fact was editing the bugger on the sidelines of TAF.

“TAF is the Mecca for anime fans around the world,” Makoto Tsumita - the former marketing manager for the international division of essential anime production house Gonzo - mentioned to me about five years ago.


At that time, Japan produced almost two thirds of the animation watched around the globe “and 70 percent of this is produced in Tokyo,” a spokesperson for the TAF Executive Committee Secretariat told me in article that year for the now defunct Geek Monthly, making the argument that this city was the natural setting for the hugely successful anime trade affair.

“It’s the best place for foreign buyers to find everything under the same roof,” reported Stephane-Enric Beaulieu, a spokesperson for the Canadian Embassy in Tokyo.

According to the organizers, TAF2012 attracted 98,923 visitors during the four days of the Fair - less than that of the previous Fair in 2010, but the number of visitors on the Business Days were about the same, with an increase in foreign reps.

This year, the best displays were devoted to perennial favourites Lupin III, Smile PreCure!, and the zany merchandise for Hayao Miyazaki's old 1972 classic Panda! Go, Panda! (パンダ・コパンダ).

And I think that's half the problem: the things that excited me most this year are, well, three ageing franchises.

When I first started going to TAF events here in March, from 2002 on, there was a helluva lot of excitement about the brand new, innovative TV shows and feature films that would be unveiled for the first time.

Ten years on, with the changes in the anime/media industry and after the cancellation last year, things have changed.


While the pomp and ceremony, and definitely the professionalism, is still there - it all feels a little jaded and lacking oomph. Just a little. It takes more than cute poster girls, anime character suitcases, and flash cars to keep this wunderbar industry alive.

I know several of these companies, including I.G, Gonzo, Madhouse and Bones, will be working to rectify the problem - so here's to supporting them in these endeavours.

TAF2013 will be held from March 21 to March 24th next year.

Upcoming Japanese cinema, 2012

Well, by the time you read these words, the silly season is well and truly over (two months is fair enough time to lay it to rest), and over here in Japan we started 2012 with a bang: on January 1st there was a fairly hefty earthquake that shook Tokyo, just to ring in the new year in an oh-so-special special way.

Fortunately – this time around – there were no fatalities, tsunami or major damage.

Anyway, without further ado, I decided to get off my buttocks and do a mini round-up of some of the recent Japanese movies winging over your way.

You can over-analyze (or ignore) the article @ Forces Of Geek.

Booked #63

I usually try to keep this blog at an arm's length from my ulterior activities with writing and muzak - usually, but occasionally I fail. This is going to be one of those times, and apologies if you want to debunk the posting since it's hardly focused on Japan at all.

Over in the USA there's a highly-esteemed weekly podcast called Booked, in which two avid readers (Robb Olson and Livius Nedin) review and discuss books (mostly noir), conduct author interviews, and make recommendations for good books they’ve read. Their goal, they say, is to deliver book reviews by everyday readers, for everyday readers.

They've previously overseen tomes by Caleb J. Ross and interviewed Allan Guthrie and Gordon Highland.

For Episode #63 however, which just aired, they set their sights on my novel Tobacco-Stained Mountain Goat. In fact they spend the first 28 minutes of the podcast doing an analysis/review. Obviously, I'm pretty darned chuffed (actually, I'd steer towards "decked").

These guys just rocked my little world.

You can tune in or download this podcast here, if you're at all curious. Regardless, Booked is a cool, laid back show helmed by two guys who are passionate about the page, and I highly recommend you bookmarking (boom-boom!) their website.

Odd Bedfellows on a Plate – Part 2

As I mentioned in the first part of this article back in December, Japanese food isn’t just about the sushi.

Or the fugu.

There’s a whole lot more, starting with the biggest meal of all – that consumed by... the sumo.

Sumo is one of Japan’s more internationally famous sports, probably because the spectacle of two exceptionally plump men – in a nation of exceptionally skinny people – wrestling one another, clad only in loin-cloths is, well, fascinating.

Sumo wrestlers would be nothing without their diet, though we do dangle the word “diet” here in an ironic sense.

Chanko-nabe is the food of the sumo. It’s a huge, simmering hot-pot that is chock-full of meat, fish and vegetables, best mixed with soy sauce, but sometimes also blended with mirin, miso, sake, and dashi stock (shavings of dried skipjack tuna mixed with edible kelp).

Leftover broth is often then consumed with a hefty plate of noodles.

It’s as highly nutritious in protein as it is gut busting, and is the principle dish gorged by sumo wrestlers to extend their hefty waistlines and add to already-impressive girths.

Some wrestlers enjoy the concoction so much that they quit the ring and instead become the chanko-cho, or chief chanko chef, for their wrestling stables, and eventually open their own restaurants – often with sumo memorabilia from their workhorse days adorning the walls.



READ MORE @ FORCES OF GEEK, with commentary from Japanese DJ/producers DJ Wada, Jin Hiyama & Lili Hirakawa.

Long in the Roof

Is this old? ...yes, it is bloody archaic!

This is the oldest abode I've yet discovered in Tokyo, a tumbling down hovel I accidentally discovered today in someone's enormous backyard in Ōokayama - yep, the same wonderland I explored in my last entry (see below).

I had to climb a fence and was harassed by an over-friendly Corgi "guard-dog" (it made me wonder if Queen Liz was in town), but was able to rattle off a few pics.