Showing posts with label Machine. Show all posts
Showing posts with label Machine. Show all posts

Wednesday, May 26, 2010

Derelict Store, Ōokayama


I found this shop the other week right near my daughter Cocoa's kindergarten in Ōokayama, one stop from our place on the Oimachi Line.

Ōokayama is full of some interesting old architecture, some of it condemned and falling apart - like this particular gem, apparently a Singer Sewing Machines store in its time.

Anyway, I went back there yesterday just prior to picking up Cocoa and took these photos.

The place is open to the street, yet - as per most Japanese derelict abodes - no squatters have ever lived there, and it looks like it had a party only once recently in the form of a two-litre bottle of shōchū that I discovered upstairs.


The building is completely collapsing and probably a dangerous place to explore when you're not exactly a featherweight gaijin, but I found these closet doors (above left) covered in what looks like old '60s or '70s clippings.

The tatami mats are still there but water-logged and buckled up, and there are gaping holes in the floor and ceiling; thank god it was decent weather.

The two flights of stairs were death-traps in-the-waiting but still supported me in both directions. In the drawers were old clothes including kimonos, but no sewing machines that I could find.


The toilet downstairs was one of the ugliest I've yet seen, easily out-rivaling the worst JR station loos, and the lack of decent reading material made it even less attractive. I didn't take too close a look at the hole itself.

There were the remnants of shōji doors with torn and ripped washi paper, electrical cables dangling from the ceiling, and the feeling that even the ever-present Tokyo cockroaches had renounced this place.

Ironically right next door is a popular take away eatery frequented by big groups of students from the university down the lane.

Saturday, January 30, 2010

PREVIEW: Satoshi Kon's The Dreaming Machine


Late last year I interviewed essential Japanese anime director Satoshi Kon (he of the notoriety of Paprika, Tokyo Godfathers, and the brilliant Millennium Actress), and that interview appeared in the January issue of Impact mag over in the UK.

I'll be running with the somewhat lengthy interview on this site sometime in the next couple of months.

In the meantime, however, Kon is gearing up for the release of his long-awaited next anime movie: Yume Miru Kikai (The Dreaming Machine) is coming up through Studio Madhouse and it has its own funky new website here. The movie features central characters called Ririco, Robin and King - and all of three are automated. Kon has dabbled quite extensively with technology (and its impact on people) before, but this time there's a different slant.


"This is my own original story - therefore different from my previous work," Kon told me during that recent interview we did; it was the first time we'd chatted and he was surprisingly open, humourous and verbose.

"While I was developing the script, I heard about a movie called WALL·E... and I got a little nervous that it might be similar to mine. I can't tell you how relieved I was when I learned that the two stories were totally different," he laughed.

"In The Dreaming Machine, only robots are there. I want the audience to enjoy the adventures of robots who survived even after their parents - human beings - had become extinct. After Paprika, I ended up taking a vacation for over a year, so we've just started development on this. You can see this movie in 2011."


Here are some sneak preview images from the new film.

Also on board is art director Nobutaka Ike, who performed the same role on Millennium Actress (千年女優 Sennen Joyu, 2001) and Paprika (パプリカ, 2006).

Till then, if you haven't checked it out already, here's the promo teaser (below) for Kon's Millennium Actress - perhaps my favourite anime flick from the 2000s, even up against stiff competition from Miyazaki's Spirited Away and Oshii's Innocence.

Essential viewing.





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