Monday, August 23, 2010
Dry Fruit Japan-style
Aside from this wayward blog I also get to run an equally aberrant record label called IF? Records, through which we release a bunch of electronic-inclined stuff on vinyl and through digital means.
Most recently we've been able to get stuff out by people like James Ruskin, Luke's Anger, Dave Tarrida, Paul Birken, Wyndell Long, Ben Mill, Dave Angel, Kultrun, Justin Berkovi, Mijk van Dijk, DJ Hi-Shock, Koda, Ben Pest, Bill Youngman, Enclave, E383, Donk Boys, Jammin' Unit and Justin Robertson - people across the board whom I respect and cherish as musos.
Last week the label put out something I've wanted to do for ages: a release focused solely around some of the best Japanese artists currently cutting sounds.
The source material was a track called 'Dry Fruit', put together by the somewhat enigmatic Tsuyoshi K (he doesn't tell anyone what the 'K' stands for), who started out making fringe, left-of-centre electro-pop stuff as Gadget Cassette but more recently changed name to Cut Bit Motorz and at the same time began pushing through more tech-house related sounds.
Funnily enough, even though we live in the same city and constantly email each other as well as remix each other's tunes, we haven't ever actually met.
But that didn't stop us releasing a digital slab of mixes of 'Dry Fruit', in which we got on board some of his more experienced Japanese peers - DJ Wada (Co-Fusion), Toshiyuki Yasuda (Robo*Brazileira), Takashi Watanabe (DJ Warp) and Tomi Chair - to do the rejigs, making it an entirely Japanese putsch that criss-crosses eclectic, tech, electro, house and (dare I say it) a marginally more progressive stance.
Truth is I really dig working with this elusive digital mate and Tsuyoshi is breaking ground with his own work (he recently remixed the Dead Agenda track 'Chaos Theory' as well as Tomi Chair's 'Stroboscope') and you'll probably brush up against the guy more often in future outside of this obscure forum.
"Regarding digital, there are great outlets online through which to dig up music from all over the world, and then share it about - which is fantastic," Tsuyoshi espouses.
"With this EP I've been most surprised about these people actually choosing to do the remixes in the first place, and it's exciting. I want you to listen to them by all means."
Propaganda bomb out.